These movies were originally released in Italian or with Italian dubbing, but as most of the films featured multilingual casts and sound was post-synched, most "western all'italiana" do not have an official dominant language. Over six hundred European Westerns were made between 19. The majority of the films in the Spaghetti Western genre were actually international co-productions between Italy and Spain, and sometimes France, West Germany, Britain, Portugal, Greece, Israel, Yugoslavia, or the United States. The term Eurowesterns may be used to also include similar Western movies that were produced in Europe without involvement by Italians, such as the West German Winnetou films or the East German Red Western films. The term Paella Western has been used for the many Western films produced in Spain. Italo-Western is also used, especially in Germany. The denomination for these films in Italy is western all'italiana (Italian-style Western). The Spaghetti Western is also known as Italian Western or (primarily in Japan) Macaroni Western. TerminologyĪccording to veteran Spaghetti Western actor Aldo Sambrell, the phrase "Spaghetti Western" was coined by Spanish journalist Alfonso Sánchez in reference to the Italian food spaghetti. This was partly intentional and partly the context of a different cultural background. Leone's films and other core Spaghetti Westerns are often described as having eschewed, criticized, or even "demythologized" many of the conventions of traditional U.S. Other notable themes in Spaghetti Westerns.The "Trinity" films and triumph of comedy.The Good, the Bad and the Ugly and universal betrayal.For a Few Dollars More and unstable partnerships.A Fistful of Dollars and its impact on the Spaghetti Western genre.European Westerns before the Spaghetti Western.The term was used by American critics and those in other countries because most of these Westerns were produced and directed by Italians.
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It emerged in the mid-1960s in the wake of Sergio Leone's film-making style and international box-office success. The Spaghetti Western is a broad subgenre of Western films produced in Europe. Failing to deliver the required goods, Hang 'em High is a moderately entertaining western at best.Clint Eastwood as the Man with No Name in a publicity image for A Fistful of Dollars, directed by Sergio Leone (1964) Nonetheless, it's still on par with many of its American counterparts and will manage to leave some of its viewers content. Overall, Hang 'em High had the material to deliver an entertaining homage to the subgenre that single-handedly cemented Clint Eastwood's leading man career but the transition from script to screen is so inferior & ineffective that it leaves much to be desired. The soundtrack is overbearing at first but it does find its footing at times, that six-man hanging scene being one such example. Performances from the entire cast is serviceable at best, and though Eastwood fares better than the rest, he is still far from his A-game here. The social & moral themes the film covers are no doubt intriguing but the stylised action & escalating setups are a few aspects where it drops the ball. The plot is interesting despite the ineffective technical execution, and it rides mostly on Clint Eastwood's magnetic allure. A weak attempt at imitating the raw style & gritty flavours of spaghetti westerns, which back in the days were dismissed as poor imitations of Hollywood westerns, Hang 'em High mainly suffers from not having a visionary filmmaker at helm and while it does surprise in bits n pieces, the experience of sitting through the whole story is rather mediocre & forgettable.ĭirected by Ted Post, the story incorporates some elements of spaghetti westerns in its own premise but the execution is not up to the mark, for it is unsuccessful at creating the tense & exciting atmosphere, and Post's inexperience is often evident in most scenes.